![]() While not all editing jobs need advanced tools, certain projects require things like chroma keying (green screen), object tracking, video stabilization and lens correction, multi-camera editing for quickly switching between perspectives, and color adjustment. This includes easy ingesting of content, the ability to quickly access tools like splice or turn off snapping, and ideally the ability to customize the interface.Īdvanced editing. Every video editor needs a simple, easy-to-use interface for composing a simple edit. So as I tested, I looked at a variety of criteria to be sure I was selecting the best video editing software for a wide range of users:īasic editing. (Some video editors will even perform these basic edits for you, allowing you to adjust things after the fact.) But a lot of video editing demands more advanced features. ![]() For more details on our process, read the full rundown of how we select apps to feature on the Zapier blog.Īt the very least, a video editor needs to be compatible with your source material and allow you to make basic edits. We're never paid for placement in our articles from any app or for links to any site-we value the trust readers put in us to offer authentic evaluations of the categories and apps we review. We spend dozens of hours researching and testing apps, using each app as it's intended to be used and evaluating it against the criteria we set for the category. To hide the Video Animation bars, select the clip and type Control+V again.All of our best apps roundups are written by humans who've spent much of their careers using, testing, and writing about software. To delete all keyframes associated with a specific parameter of a clip, select the clip, go to the Inspector, and click the small, downward-pointing triangle next to the keyframe diamond at the far right side of the parameter control. Dragging the entire line up or down resets both the starting and ending keyframe values. In this screen shot, the keyframe line on the left illustrates Ease In (slows on approach), while the line on the right illustrates Ease Out (slow on leaving).To reset a line back to its default setting, right-click on the line and select “Linear.” EXTRA CREDIT The easiest way to move a pair of keyframes is to click the line between them. Notice that the shape of the keyframe curve now illustrates your selection. ![]() Starts slowly, speeds as movement approaches the ending keyframe. Starts quickly, slows as movement approaches the ending keyframe.Įase Out. Starts and ends slowly, accelerates in the middle.Įase In. This is the default setting, which provides a constant speed between two keyframes.Įase. Right-click the line BETWEEN two keyframes to reveal four line shapes and select the timing adjustment you want to make: NOTE: To move a keyframe, or line, in smaller increments, hold the Command key while dragging. Once you start dragging a keyframe in one direction, say, horizontally, you can’t change direction to vertical until you release the mouse. To change the value of a keyframe setting, drag the keyframe vertically. To move a keyframe in time, drag it horizontally. In this screen shot, I’ve already set two keyframes and am getting ready to set a third between them. Press the Option key and click the thin horizontal black line where you want to set keyframes. ![]() (Not all parameters have this dark box, which means the bar containing their settings can’t be expanded.)ģ. I am using Opacity to illustrate this, however, this technique works on many different settings within FCP X – as long as they can be keyframed. Click the small dark box on the right side of the Compositing: Opacity bar to enlarge it. These bars include a variety of parameters.Ģ. This displays the video animation bars above the clip. Select the clip to which you want to add keyframes and type Control+V. This is new to FCP X – in FCP 7, we needed to manipulate Beziér control points attached to each clip. David Doob pointed this out to me - you can change the shape of the line between two keyframes to add ease-in/ease-out behavior to the transition between two keyframes.
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